{"id":1145,"date":"2010-05-06T00:14:57","date_gmt":"2010-05-05T21:14:57","guid":{"rendered":"http:\/\/www.garoli.fr\/blog\/?p=1145"},"modified":"2010-05-06T00:21:15","modified_gmt":"2010-05-05T21:21:15","slug":"anish","status":"publish","type":"post","link":"https:\/\/garoli.fr\/blog\/2010\/05\/06\/anish\/","title":{"rendered":"Anish Kapoor, merde de ciment, expose au Guggenheim"},"content":{"rendered":"<p><span style=\"color: #ff6600;\">Guggenheim Bilbao<\/span><\/p>\n<p><span style=\"color: #ff6600;\">M\u00eame si la carcasse-enveloppe\u00a0 est destin\u00e9e \u00e0 t&rsquo;appartenir, je sens le parfum de la libert\u00e9 venir me voir.<\/span><\/p>\n<p><span style=\"color: #ff6600;\"><span style=\"color: #333333;\">A\u00fan si el cuerpo-envoltura esta destinado a pertenecerte, siento el perfume de la libertad venir a verme.<\/span><br \/>\n<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #ff6600;\"> <\/span><\/p>\n<figure id=\"attachment_1152\" aria-describedby=\"caption-attachment-1152\" style=\"width: 420px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.guggenheim-bilbao.es\/index.php?idioma=fr\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1152 \" title=\"guggenheim\" src=\"http:\/\/garoli.fr\/blog\/wp-content\/uploads\/2010\/05\/guggenheim1-600x800.jpg\" alt=\"\" width=\"420\" height=\"560\" srcset=\"https:\/\/garoli.fr\/blog\/wp-content\/uploads\/2010\/05\/guggenheim1-600x800.jpg 600w, https:\/\/garoli.fr\/blog\/wp-content\/uploads\/2010\/05\/guggenheim1-225x300.jpg 225w, https:\/\/garoli.fr\/blog\/wp-content\/uploads\/2010\/05\/guggenheim1.jpg 960w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/a><figcaption id=\"caption-attachment-1152\" class=\"wp-caption-text\">Mus\u00e9e Guggenheim. Bilbao. \u00a9 garoli<\/figcaption><\/figure>\n<p><span style=\"color: #ff6600;\">La mati\u00e8re tactile profite du jeu sur le volume, le concept du vide et la merde en ciment; le tout pr\u00e9sent\u00e9 gr\u00e2ce aux\u00a0 installations de Anish Kapoor. Artiste n\u00e9 \u00e0 Bombay (Inde) en 1954, Anish expose au Mus\u00e9e Guggenheim Bilbao jusqu&rsquo;au 12 octobre 2010. <\/span><\/p>\n<p><span style=\"color: #ff6600;\"><span style=\"color: #333333;\">El material t\u00e1ctil aprovecha el juego del volumen, el concepto del vac\u00edo y la mierda de cemento; todo presentado gracias a las instalaciones de Anish Kapoor. Artista nacido en Bombay (India) en 1954, Anish expone en el museo de Guggenheim Bilbao hasta el 12 de octubre de 2010.<\/span><br \/>\n<\/span><\/p>\n<p><span style=\"color: #ff6600;\"> <\/span><\/p>\n<figure id=\"attachment_1151\" aria-describedby=\"caption-attachment-1151\" style=\"width: 401px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.guggenheim-bilbao.es\/microsites\/anish_kapoor\/secciones\/galeria_imagenes\/galeria_imagenes_detalle.php?idioma=fr&amp;id_imagen=24\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1151\" title=\"greyman\" src=\"http:\/\/garoli.fr\/blog\/wp-content\/uploads\/2010\/05\/greyman.jpg\" alt=\"\" width=\"401\" height=\"267\" srcset=\"https:\/\/garoli.fr\/blog\/wp-content\/uploads\/2010\/05\/greyman.jpg 401w, https:\/\/garoli.fr\/blog\/wp-content\/uploads\/2010\/05\/greyman-300x199.jpg 300w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/><\/a><figcaption id=\"caption-attachment-1151\" class=\"wp-caption-text\">Greyman pleure, shaman meurt, volutes de fum\u00e9e, beaut\u00e9 \u00e9voqu\u00e9e (Greyman Cries, Shaman Dies, Billowing Smoke, Beauty Evoked), 2008-09 Ciment, 48 parties Dimensions totales variables Courtoisie de l\u2019artiste Installation : Royal Academy of Arts, Londres, 2009 Photo : Erika Ede \u00a9 FMGB Guggenheim Bilbao Museoa, 2010<\/figcaption><\/figure>\n<p><span style=\"color: #ff6600;\">Mat\u00e9riaux hautement r\u00e9fl\u00e9chissants, \u0152il pour \u0152il, amour pour amour dans un corps \u00e0 corps entre cire et ciment ou un t\u00eate \u00e0 t\u00eate immat\u00e9riel noy\u00e9 dans des reflets, produisent une d\u00e9formation de la r\u00e9alit\u00e9 et des exp\u00e9riences uniques. Formes entropiques en ciment, je prends un verre sur la piscine au 3\u00e8me \u00e9tage d&rsquo;un grand h\u00f4tel de grand luxe pendant que mes robots font de la merde en ciment, et le tout pour rien, pas de r\u00e9flexion, seulement de la production de volutes de fum\u00e9e; c&rsquo;est l&rsquo;industrie d&rsquo;une nouvelle beaut\u00e9, les ciments de merde serviront \u00e0 quelque chose.<br \/>\n<\/span><\/p>\n<p><span style=\"color: #ff6600;\">Anish Kapoor du 16 mars au 12 octobre 2010, au  Mus\u00e9e Guggenheim Bilbao.<\/span><\/p>\n<p><span style=\"color: #ff6600;\"><span style=\"color: #333333;\">Materiales altamente reflejantes, ojo por ojo, amor por amor en un cuerpo a cuerpo entre parafina y cemento, o un cara a cara inmaterial ahogado en los reflejos que producen una deformaci\u00f3n de la realidad y experiencias \u00fanicas. Formas entr\u00f3picas de cemento. Tomo un vaso en la alberca del tercer piso de un gran hotel de lujo mientras mis robots hacen mierda de cemento, y el todo por nada, sin reflexi\u00f3n, solamente la producci\u00f3n de espirales enfumadas; es la industria de una nueva belleza, los cimentos de mierda serviran para algo.<\/span><\/span><\/p>\n<p><span style=\"color: #ff6600;\"><span style=\"color: #333333;\">Anish Kapoor del 16 al 12 de octubre 2010, en el museo Guggenheim Bilbao.<br \/>\n<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guggenheim Bilbao M\u00eame si la carcasse-enveloppe\u00a0 est destin\u00e9e \u00e0 t&rsquo;appartenir, je sens le parfum de la libert\u00e9 venir me voir. A\u00fan si el cuerpo-envoltura esta destinado a pertenecerte, siento el perfume de la libertad venir a verme. La mati\u00e8re tactile profite du jeu sur le volume, le concept du vide et la merde en ciment; [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,21,24],"tags":[92,125,89,91,90],"class_list":["post-1145","post","type-post","status-publish","format-standard","hentry","category-art-contemporain","category-expos","category-voyages","tag-anish","tag-art-contemporain","tag-espagne","tag-installation","tag-materiel"],"_links":{"self":[{"href":"https:\/\/garoli.fr\/blog\/wp-json\/wp\/v2\/posts\/1145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/garoli.fr\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/garoli.fr\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/garoli.fr\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/garoli.fr\/blog\/wp-json\/wp\/v2\/comments?post=1145"}],"version-history":[{"count":11,"href":"https:\/\/garoli.fr\/blog\/wp-json\/wp\/v2\/posts\/1145\/revisions"}],"predecessor-version":[{"id":1173,"href":"https:\/\/garoli.fr\/blog\/wp-json\/wp\/v2\/posts\/1145\/revisions\/1173"}],"wp:attachment":[{"href":"https:\/\/garoli.fr\/blog\/wp-json\/wp\/v2\/media?parent=1145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/garoli.fr\/blog\/wp-json\/wp\/v2\/categories?post=1145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/garoli.fr\/blog\/wp-json\/wp\/v2\/tags?post=1145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}